Today, A Superstar Guest, ALAN ORLOFF…
Today, one of my favorite bloggers. A funny, clever, and talented writer, Alan Orloff…
Can you guess what I’m referring to?
Here are some hints:
- It’s painful.
- It’s arduous.
- It’s demoralizing.
- It seems interminable.
- It is humbling.
- It is agonizing.
- It can be a royal PIA.
No, it’s not a root canal. It’s the querying process.
You’ve written a manuscript, put it through the critique group wringer, honed and polished that baby until it sparkles like my bald Uncle Teddy’s dome. Now you want to find an agent. Uh oh, that means only one thing. You’ve got to crank up the ol’ query machine.
One note. The following suggestions worked for me and are my opinions only. I’m sure you will find some (many?) people espousing strategies completely opposite to these. That just underscores one of the biggest truisms in publishing: It’s all subjective.
My suggestions:
Start your query with a summary of the story. Leave the introductions, throat-clearing, and “housekeeping” information until the end. Grab your agent-reader from the first word.
Use the same voice in your query that you use in your manuscript. “Voice” is what will set your query apart from the thousands of other queries making the rounds. Remember, the agent probably will have seen your characters and plots before, but your voice is unique.
Describe your story succinctly, cleverly, clearly. You have one page, make every single word (and punctuation mark) count.
Go easy on the bio. Sell yourself, but just hit the highlight(s). It’s mostly about the writing, and not about you (unless you are Oprah’s cousin). Mention relevant writing credits; again, don’t go overboard. Your award for Best Poet in Mrs. Finster’s Fifth Grade class is nice, but save it for your family reunion.
Use the A, B, C method and “batch it.” After you’ve compiled your list of agents who might be good fits, divide them into three groups, based on “awesomeness.” Then send out one batch of queries at a time (say, 8 –12), being sure to include a few agents from each group. This will let you make changes to your query (and your manuscript) as you go along, and you won’t exhaust all your prime prospects.
Don’t try to interpret form rejections. No means no. Move on, it’s not personal. Of course, if you do get some personalized feedback, take it to heart, but don’t necessarily start in with the revisions. I’d wait until I heard the same feedback a couple times (at least) before I undertook any drastic manuscript overhauls. Remember, writing is subjective.
Try not to stress or obsess. It doesn’t help. Just get to work on your next project.
I know, I know, easier said than done.
At least it’s not a root canal.
The first book in his new series, KILLER ROUTINE – A Last Laff Mystery, featuring Channing Hayes, a stand-up comic with a tragic past, will be out Spring 2011 (also from Midnight Ink). For more info, visit www.alanorloff.com



